מיקסר PreSonus StudioLive 32 Series III

FL-D

StudioLive 32
Features
General Controls

33 touch-sensitive, motorized faders with choice of:
1-to-1 workflow—assign all channels to the top layer, with one fader per input channel
Split-layer workflow—split the faders between inputs and outputs, including DCAs and Aux outputs
RGB Select buttons with user-assignable colors
Transport control
8 user-assignable buttons for mute groups, scenes, and more
All-new Fat Channel controls including
8 scribble strips, encoders, and multicolor buttons
Customizable user layer
7-inch color touchscreen
DAW control (Studio One, MCU, and HUI) coming soon

Inputs and Outputs

40 total inputs
32 channel inputs: 16 mic, 16 mic/line
1 XLR Talkback mic input with recallable XMAX Class A preamp
2 stereo Aux inputs
16 FlexMix outputs: 12 XLR, 4 balanced TRS
4 TRS subgroup outputs
Unbalanced stereo (RCA) tape input and output
Bluetooth™ 4.1 wireless tape input
Stereo AES/EBU digital output
2 XLR (L/R) Main outputs
XLR Main summed mono output
2 TRS monitor outputs
Stereo headphone output

Channels and Buses

32 input channels with recallable XMAX Class A mic preamps
2 stereo aux inputs
26 buses:
16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)
4 dedicated subgroups
4 internal effects sends
Stereo main bus
24 Filter DCAs for easily and flexibly controlling groups of channels

Networking Connections

1 Ethernet control network port
Dynamic, Self Assigned, and Manual IP address modes
1 Locking XLR Ethernet AVB audio network port
Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017

Recording

Onboard 34×34 SD recorder (using Capture™)
38×38 USB recording interface
55×55 AVB recording interface

Signal Processing

Intuitive Fat Channel signal processing on every channel with:
A/B settings comparison
Highpass filter and polarity reverse
Gate/expander with sidechain
Compressor with sidechain
4-band parametric EQ on inputs
6-band parametric EQ on outputs
Limiter
Delay on every input
Delay on every output
Professionally programmed library of presets
Vintage EQ and compressor models available on every input
Passive EQ
Vintage EQ
Tube compressor
FET compressor
8 31-band graphic EQs
4 internal effects buses: combination of reverbs and delays with modern and vintage options
Built-in real-time analyzer and signal generator

Metering/Displays

7-inch color touchscreen
Input meter on every channel
Full-size Fat Channel metering
Input meter
Gate gain reduction meter
Compressor gain reduction meter
Full-size stereo Main output meters

Scenes and Presets

Create, save, and edit up to 100 scenes
Scene management with:
Scene Safe—prevents a scene change from affecting designated “safe” channels
Create, save, and edit channel settings and copy/paste between channels
Advanced channel preset options can save and recall:
Channel type and name
Input settings (preamp, +48V phantom power, polarity, pan)
Fat Channel A & B settings
Bus assignments
Aux and effects send levels and pan
Select button color
8 Quick Scenes

Digital

Studio-quality converters with 115 dB dynamic range
48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)

Actively Integrated Software

UC Surface touch control software for Mac®, Windows®, and iPad®
Studio One® Professional digital audio workstation software for Mac and Windows
Capture™ multitrack recording software for Mac and Windows
QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store

Computer system requirements:
Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.
Mac

Mac® OS X 10.8.5 64-bit or later
Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
4 GB RAM (8 GB or more recommended)

Windows

Windows® 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
Intel Core 2 Duo (Intel Core i3 or faster recommended)
4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

USB 2.0 port
Internet connection
Internal or external 7200 RPM storage drive highly recommended
30 GB hard disk space
Monitor with 1366×768 resolution

iOS

iOS 9.3 or later
iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2

Android

Android™ 5.0 (Lollipop) or later
Android smartphone (QMix-UC)
Android tablet (8-inch) with 1024×768 resolution (UC Surface)

Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.
Technical Specifications
Mi​crophone Preamplifier

Input Type:XLR Female, balanced
Frequency Response to Main Output (at unity gain):20-20 kHz, ±0.5 dBu
Input Impedance:1 kΩ
THD to Main Output:<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd):94 dB
Common Mode Rejection Ratio (1 kHz at unity gain):65 dB
Gain Control Range (±1 dB):0 dB to +60 dB
Maximum Input Level (unity gain):+12 dBu
Phantom Power (±2 VDC):48 VDC, switchable per channel

Line Inputs

Type:¼” TRS Female, balanced
Frequency Response to Main Output (at unity gain):20-20 kHz, ±0.5 dBu
Input Impedance:10 kΩ
THD to Main Output:<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd):94 dB
Maximum Input Level:+18 dBu
Tape Inputs
Type:RCA Female, unbalanced (stereo pair)
Maximum Input Level:+12 dBu, ±0.5 dBu

XLR Outputs

Type:XLR Male, balanced
Maximum Output Level:+24 dBu, ±0.5 dBu
Output Impedance:100Ω

Line Outputs

Type:¼” TRS Female, balanced
Maximum Output Level:+18 dBu, ±0.5 dBu
Output Impedance:100Ω

Tape Outputs

Type:RCA Female, unbalanced (stereo pair)
Maximum Output Level:+18 dBu, ±0.5 dBu
Output Impedance:100Ω

Headphone Output

Type:¼” TRS Female, active stereo
Maximum Output:100 mW/ch. @ 60Ω load
Frequency Response:20 Hz – 20 kHz (± 0.5 dB)
THD+N:0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
S/N Ratio:96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

System Crosstalk

Input to Output:-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
Adjacent Channels:-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

Digital Audio and Control

ADC Dynamic Range:115 dB (A-wtd, 48 kHz)
DAC Dynamic Range:115 dB (A-wtd, 48 kHz)
USB Recording Port:USB 2.0, Type-B
Bluetooth™ Input:4.1, stereo
AES/EBU Output:XLR Male
Network Control Port:RJ-45
AVB Audio Network Port:Locking XLR Ethernet
Internal Processing:32-bit, floating point
Sampling Rate:48 kHz (44.1 kHz coming soon)
A/D/A Bit Depth:24
Reference Level for 0 dBFS:+18 dBu
Total System Latency:1.9 ms (local routing, analog in-analog out, all processing active)
Clock
Jitter:<20 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation:>60 dB (1 ns in, 1 ps out)
Power / Environmental
Connector:IEC
Input-Voltage Range:90 to 230 VAC (±10%)
Power Requirements (continuous):85W
Recommended Ambient Operating Temperature:0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit

Physical

Height:6.51” (165.36 mm)
Width:32.37” (822.21 mm)
Depth:22.97” (583.48 mm)
Weight:37.2 lbs. (16.9 kg)

As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.